{"id":21409,"date":"2024-08-20T09:25:15","date_gmt":"2024-08-20T14:25:15","guid":{"rendered":"https:\/\/events.fnal.gov\/art-gallery\/?page_id=21409"},"modified":"2026-02-12T12:45:56","modified_gmt":"2026-02-12T18:45:56","slug":"guest-artist-at-fermilab","status":"publish","type":"page","link":"https:\/\/events.fnal.gov\/art-gallery\/guest-artist-at-fermilab\/","title":{"rendered":"Guest Artist at Fermilab"},"content":{"rendered":"
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Eleftheria Lialios 2026<\/h2>\n

Working with detector readout and visualization tools from the Deep Underground Neutrino Experiment and the NOvA Experiment, along with timing and hit patterns from the on-site cosmic ray telescope, I will work with the primary traces of particle interactions at the stage where they are first registered as flashes of light, time stamps, coincidence, and rejection before reconstruction. I will visualize these incidents at the level of detection rather than interpretation, focusing on how signals are accepted, delayed, or discarded by the detector. Drawing on the history of early photography and optical instruments such as the camera obscura, tubular lenses, and magnifying optics, I will construct fixed optical viewing devices. As viewers approach each instrument in the way a photographer approaches a camera and place an eye to the lens, images derived from these experimental systems become visible only under specific conditions of illumination, alignment, exposure, selection, and the physical positioning of the viewer. This positions the viewer as both photographer and measuring device, making perception dependent upon and structured by the act of looking itself. By invoking the history of photography as a literal \u201cview\u201d of the world, the project combines chance and science in a way that makes the viewer\u2019s presence the final and necessary element for communication and vision to be realized.\u00a0 \u00a0 \u00a0 Read more about Eleftheria Lialios in the Fermilab News announcement here<\/a>.<\/span><\/p>\n

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Past Guest Artists<\/h2>\n
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Jelena Berenc 2025<\/h3>\n

“Both Art and Science question the world; they bring new thoughts to the world, and re-contextualize preconceived ideas and views. This position makes an ideal opportunity for asking, confirming, developing, and understanding questions.”<\/p>\n

Read more about Jelena Berenc in the Fermilab News announcement here<\/a>.<\/p>\n

On Display in Art Gallery – Probable Interferences – <\/em><\/h3>\n

March 6, 2026- June 1, 2026<\/h3>\n<\/div>\n

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Agnes Chavez 2024<\/h4>\n

New Mexico-based artist Agnes Chavez will work with Fermilab scientists to explore new ways to use data visualization, light, sound and space\u00a0to communicate the importance and relevance of science, in particular research on particles called neutrinos.<\/p>\n

An interdisciplinary new media artist and educator, her work integrates art, science and technology as tools to inspire artistic, scientific and humanistic literacy and to raise awareness to humanitarian and ecological issues. She explores data visualization, light, sound and space to create immersive and educational installations that seek balance between mind and matter, science and art, nature and technology.<\/p>\n

Read more about Agnes Chavez in the Fermilab News announcement here<\/a>.<\/p>\n

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Ricardo Mondragon 2023<\/h4>\n

My artistic practice consists of creating art that reflects the deep harmonic design of the universe. A world that may seem detached and far from our everyday social experience is revealed with coherent fashion and high-quality materials. Playing with the boundaries between the visual and musical is an old game. From Pythagoras to Kandinsky, harmonies have been explored.<\/p>\n

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Mare Hirsch 2021<\/h4>\n

Through my art and research, I seek to expand conventional methods of creative practice by developing and using artist-centric technologies. To do so, I draw on methods and tools from other domains, such as computer science and engineering, to reimagine technology\u2019s role in art in a way that is inclusive to a broad diversity of media. Hirsch created an art installation \u201cPrecession\u201d, a data-driven installation that explores the intangible scales of time and space inherent to the Muon g-2 experiment at Fermilab.<\/p>\n<\/div>\n<\/div>\n

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Chris Klapper & Patrick Gallagher 2020<\/h4>\n

We often have described the act of creating art as a poetic expression of its subject material, a kind of translation. In this, our main goal from the very start was to create an expression that could draw direct relationships between this stunningly complex subject and connect it to the larger realm of the human experience. A way to show that within the densely intricate mathematics and abstract theories behind the physics of our invisible universe, there was a symmetry and sameness shared with the world and experiences on a human scale.<\/p>\n<\/div>\n<\/div>\n

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Isaac Facio 2019<\/h4>\n

Facio says that collaborations between art and science are important because of the commonalities in the questions pursued by their respective practitioners. He says artists and physicists can influence one another\u2019s work by offering complementary perspectives on these questions.<\/p>\n

\u201cThere is something beautiful about the uninhibited exploration that takes place in an art studio and the methodical and intentional exploration that a science lab has,\u201d Facio says. \u201cWe have common interests and different approaches.\u201d<\/p>\n<\/div>\n<\/div>\n

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Adam Nadel 2018<\/h4>\n

During my artistic investigation at Fermilab I employed traditional film cameras, historical documents, scientific data, and a particle accelerator. I created works on traditional silver gelatin photographic paper via negative and direct exposure to an electron beam, watercolor paper, wood, and music in transcription form. These works explore those who work at the lab and the subatomic world they are directly or indirectly engaged. The goal is to bridge art and science in celebrating one of humanity\u2019s most extraordinary and important endeavors.<\/p>\n<\/div>\n<\/div>\n

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Jim Jenkins 2017<\/h4>\n

My intent is to be open to the rich and mind-expanding possibilities of examining the history of the lab, it\u2019s unique setting, personalities past and present and experimental future. My hope is that unexpected cerebral, visual and auditory inputs will result in experimental explorations into intersecting nodal ambiguities. Perhaps demonstratable consiliences will result. It may also be a way for me to keep my mind and hands busy while passing the time dreaming about the dream I may be dreaming.<\/p>\n

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Ellen Sandor 2016<\/h4>\n

Fermilab\u2019s 2016 artist-in-residence Ellen Sandor and (art)n\u00a0<\/sup>spent months talking with Fermilab scientists and learning about the ways they study subatomic particles called neutrinos. Inspired by the things she saw and heard, she created a series of new works in several different media, works that visualize the invisible science of particle physics.<\/p>\n

Sandor and (art)n<\/sup> are perhaps best known as the inventors of a new artistic medium called PHSColograms. These three-dimensional pieces combine photography, holography, sculpture and computer graphics to create immersive experiences, and Sandor and her team have used this technique to visualize particle interactions.<\/p>\n

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Lindsay Olson 2015<\/h4>\n

My artistic practice grows out of an intense curiosity about the ways our society is supported by science and technology. I use my training to create art about the hidden realities of our world. I worked with scientists, members of the operations crew and numerous staff throughout the lab to learn the basics of high-energy physics. Creating work inspired by dedicated Fermilab scientists opened a new way for me to view reality and enriched my studio practice.<\/p>\n<\/div>\n<\/div>\n

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Eleftheria Lialios 2026 Working with detector readout and visualization tools from the Deep Underground Neutrino Experiment and the NOvA Experiment, along with timing and hit patterns from the on-site cosmic ray telescope, I will work with the primary traces of particle interactions at the stage where they are first registered as flashes of light, time… More »<\/a><\/p>\n","protected":false},"author":85,"featured_media":22900,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-21409","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/events.fnal.gov\/art-gallery\/wp-json\/wp\/v2\/pages\/21409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/events.fnal.gov\/art-gallery\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/events.fnal.gov\/art-gallery\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/events.fnal.gov\/art-gallery\/wp-json\/wp\/v2\/users\/85"}],"replies":[{"embeddable":true,"href":"https:\/\/events.fnal.gov\/art-gallery\/wp-json\/wp\/v2\/comments?post=21409"}],"version-history":[{"count":41,"href":"https:\/\/events.fnal.gov\/art-gallery\/wp-json\/wp\/v2\/pages\/21409\/revisions"}],"predecessor-version":[{"id":23545,"href":"https:\/\/events.fnal.gov\/art-gallery\/wp-json\/wp\/v2\/pages\/21409\/revisions\/23545"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/events.fnal.gov\/art-gallery\/wp-json\/wp\/v2\/media\/22900"}],"wp:attachment":[{"href":"https:\/\/events.fnal.gov\/art-gallery\/wp-json\/wp\/v2\/media?parent=21409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}